核時代の芸術と市民運動
４月７日から５月１４日までオーストラリアのシドニー大学のティン・シェッド・ギャラリーで広島・長崎、ビキニ環礁、マラリンガ、チェルノブイリ、福島の核被害をテーマにした芸術作品の展覧会が開かれています。この展覧会に合わせて、５月７日（土曜）には関連のZOOMシンポジュームが開かれます。全て英語で行われますが、視聴は無料です。ただし、視聴を希望される方は前もって登録が必要です。詳細については下記の案内をお読みください。（５月７日のシンポの最後の第４パネルでは、核被害の記憶の継承だけではなく、戦争加害責任感を向上させる上で、日本の伝統芸能である能楽がいかに強力な文化的媒体となりうるかについて、シドニー大学名誉教授アラン・マレットと私の二人が発表を行う予定です。）なお現在、シドニー時間は日本時間より１時間早いことにご留意ください。
An exhibition of artwork concerning atomic bombing, nuclear tests and nuclear power accidents is currently on show at the Tin Sheds Gallery, Sydney University. On May 7 a public ZOOM symposium will also be held to discuss various anti-nuclear art and civil movements. Professor Allan Marett and I will be running a panel entitled “The Power of Traditional Japanese Noh Theater in the Nuclear Age.” Registration is free but required in advance. For more detailed information, please see below.
TIN SHEDS GALLERY
The University of Sydney School of Architecture, Design and Planning
148 City Road, Darlington, Wilkinson GO4
The University of Sydney, NSW 2006
Art and Activism in the Nuclear Age
7 April – 14 May 2022
Exhibition featuring rarely shown artworks on
Hiroshima, Nagasaki, Bikini Atoll, Maralinga, Chernobyl and Fukushima.
The exhibition and accompanying symposium and seminars, all free entry, will provide a unique opportunity for the public exchange of ideas and perspectives between activists, academics and artists committed to finding a way forward in the search for peace and nuclear disarmament.
PUBLIC SYMPOSIUM
Saturday 7 May 2022, 10-5.30pm, on zoom
Building on the momentum of grassroots campaigns in Australia, Japan and across the globe, the symposium invites participants to explore the political and cultural shifts that have accompanied the transition to a nuclear world since the 1940s, and the current achievement of the United Nations treaty banning nuclear weapons that took effect on 22 January 2021.
Join us in Discussion Panels led by Okamura Yukinori, curator at Maruki Gallery, Maralinga Tjarutja artists, ICAN founders, Allan Marett and Yuki Tanaka on modern Noh performance. See over for details and registration.
SATURDAY GALLERY TALKS
In person, Tin Sheds Gallery Theatre. 2.30-4.00pm.
Saturday 23 April. Merylin Fairskye, “Long Life: the Slow Violence of Radiation”. With Paul Brown. See over for details and registration.
Saturday 30 April. Roman Rosenbaum,“Manga as Nuclear Art: Contemporary Perspectives of Hiroshima and Nagasaki”. See over for details and registration.
Enquiries: Dr Yasuko Claremont: yasuko.claremont@sydney.edu.au
Organising Committee: Paul Brown, Yasuko Claremont, Judith Keene, Elizabeth Rechniewski, Roman Rosenbaum.
PROGRAMME OF FREE PUBLIC EVENTS
Exhibition Launch: Thursday 7 April, 6-8pm.
Art and Activism in the Nuclear Age / Promise of Housing. Registration: https://events.humanitix.com/tin-sheds-gallery-opening-or-aana
SYMPOSIUM, SATURDAY 7 MAY 2022
10am to 5.30pm, on zoom
A public symposium to exchange ideas and perspectives between artists, activists, and academics will consider methods for engaging the public in our continuing search for peace and nuclear disarmament. We would like to thank the discussants: Okamura Yukinori, curator at Maruki Gallery, Maralinga Tjarutja artists joining us from Yalata, ICAN founders, Allan Marett whose authority on Aboriginal music and culture has produced a modern Noh performance on atomic art, and peace activist and author Yuki Tanaka.
Registration for all Symposium panels : https://events.humanitix.com/public-symposium-art-and-activism-in-the-nuclear-age
10 am. Conference Opening and Acknowledgement of Country
Panel 1: 10.10 to 11.30. “Past and Contemporary Visual Atomic Art.”
Yukinori Okamura, Roman Rosenbaum. Chair: Yasuko Claremont.
Panel 2: 11.45 to 1.15. “Indigenous Artists in Atomic Art.” Maralinga Tjarutja artists. Chair: Paul Brown.
Panel 3: 2pm to 3.30. “ICAN and Civil Anti-Nuclear Movements.”
Tilman Rush, Dimity Hawkins, Gem Romuld. Chair: Elizabeth Rechniewski
Panel 4: 3.45 to 5.15pm. “The Power of Traditional Japanese Noh Theater in the Nuclear Age.” Allan Marett, Yuki Tanaka. Chair: Judith Keene.
SATURDAY TALKS
In person, Tin Sheds Gallery Theatre. 2.30pm to 4.00pm
Saturday 23 April. Merilyn Fairskye, “Long Life. The Slow Violence of Radiation”. With Paul Brown. Chair: Elizabeth Rechniewski
Sydney-based artist Merilyn Fairskye will present her new project Long Life, bringing together the range of her work on life and death in the nuclear age, produced after visiting Chernobyl, Ukraine; The Polygon, Kazakhstan; Sellafield, UK, and nuclear sites in Russia, New Mexico and Australia. The challenge is how to make the (nuclear) world felt and in doing so, perhaps disturb the way we think about this world. In discussion with creative producer, Paul Brown, they will reflect on the relationship between artistic practice, aesthetics and the political.
Registration: https://events.humanitix.com/tin-sheds-gallery-artist-talk-or-merilyn-fairskye-long-life-the-slow-violence-of-radiation
Saturday 30 April. Roman Rosenbaum, “Manga as Nuclear Art: Contemporary Perspectives of Hiroshima and Nagasaki”. Chair: Yasuko Claremont
Tracing the earliest manifestation of the atom bomb in comics from censored Superman comics to their Australian antipodean counterpart in Captain Atom, this seminar presentation traces the lineage of graphic novels addressing the nuclear age via Nakazawa Keiji’s seminal countercultural classic Barefoot Gen, until the appearance of the transgenerational drawings by Kōno Fumiyo’s In This Corner of the World. Leading up to the yearly commemorations of these traumatic events several new works have appeared that seek to reshape the narrative of the atomic bombs. The latest works by Takeo Aoki Hiroshima’s Revival (2016) and Didier Alcante La Bombe (The bomb, 2020) will be discussed in some detail.
Registration: https://events.humanitix.com/gallery-talk-or-manga-seminar
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